Tag Archives: Caprica

‘Caprica’ not your ordinary sci-fi

By Charlie Carroll

ArtsPost staff writer

caprica

A scene from "Caprica" of Daniel Graystone and his daughter Zoe. Photo from Syfy.

While fans of the critically acclaimed hit series Battlestar Galactica might be a bit put off at first, the new SyFy series Caprica is a promising insight into the world that started it all.  Despite an unfortunate 9 p.m. time slot on Friday nights and scant promotion leading up to the show’s premiere, Caprica shows significant promise and beautifully melds science fiction with modern day relationships and social issues, grounding the back story for galactic battles and robot armies in a world much like our own.

For some, the idea of creating a sci-fi/fantasy prequel is brand suicide, ruining all that was good about the original work and tainting its memory with unnecessary and migraine-inducing characters (here’s lookin’ at you, Jar Jar).  However, Caprica allows Battlestar producers David Eick and Ronald D. Moore to reimagine the universe in a way that is distinct from, yet as richly layered as, its predecessor.

Set 58 years before the fall of man, the series takes place on the planet Caprica, capital of the 12 human colonies.  In this alternate polytheistic reality, humans worship the ancient Greek gods and those who espouse monotheistic beliefs are considered to be religious radical outcasts.  The plot follows the interconnected storylines of two families, the Adamas and Graystones, in their quest to make peace with the deaths of their loved ones while simultaneously shaping the fate of humanity.  Daniel Graystone (Eric Stoltz), a smug, computer genius and corporate tycoon skyrocketed to the upper social strata after inventing the holoband, a device that allows people to connect to a virtual reality version of the Internet through life-like avatars.  Joseph Adama (Esai Morales) is a lawyer from the planet Tauron who constantly struggles to reconcile his Caprican life with the traditions of his homeland and his connection to the Tauron mafia, known as the Ha’La’Tha.

The lives of both men are thrown into disarray after Daniel’s daughter, Zoe (Alessandra Torresani), and Adama’s wife and daughter are killed in a terrorist attack.  The attack, executed by Zoe’s boyfriend, was organized by the monotheistic organization Soldiers of the One, to which Zoe also belonged.  Following the suicide bombing, Graystone searches for a way to bring his daughter back and, consequently, save his company from ruin using a free-thinking, self-aware avatar which Zoe created in her own image.  This avatar goes on to become the first Cylon, a race of cybernetic beings that eventually destroys most of humanity in Battlestar Galactica.

This past summer the Sci-Fi channel changd its name to SyFy in an attempt to broaden its audience and steer away from the nerdy, male-centric fan base.  Caprica exemplifies this new brand strategy, contrasting Battlestar’s dark, somber world of space battles and robots with a more vividly colorful human drama.  Caprica clearly focuses on underlying themes more akin to a soap opera than your traditional sci-fi series, emphasizing human relationships and connections.  The show functions more as a drama with sci-fi elements than a clear-cut sci-fi show.  It explores modern themes of racism, terrorism and corruption in a world rife with decadence and excess in the wake of its exponential technological progress.  However, the social commentary can be a bit heavy handed, bordering on moral preaching and blatant cliché.

Although Caprican society is, for the most part, a reflection of modern American society, it distances itself enough from being a mirror image.  Stylistically, it carries an air of nostalgia by mixing 1950s-style fashion with a society much more technologically advanced than our own.  While the mobsters might don their fedoras and drive around in what looks like a 1951 Buick Roadster, their children text each other constantly and use computers that look like nothing more than sheets of paper.

The casting is superb, with Stoltz and Morales giving their best performances as morally conflicted men coming to terms with their grief and the consequences of their actions in the wake of tragedy.  Behind Stoltz’s cool, contemplative demeanor lies a man interrupted by occasional flashes of ruthless arrogance and human frailty.  The chemistry between Stoltz and Paula Malcomson, who plays Graystone’s wife, is palpable, allowing the characters to perfectly complement one another.  While Stoltz may appear more quiet and reserved, Morales shines in the moments where Adama wears his heart on his sleeve, struggling to cope with the longing he feels for his wife and daughter while losing his 11 year-old son to the influences of his Mafioso brother.

In the beginning, Torresani’s portrayal of  Zoe Graystone/Zoe the Cylon paralleled the feel of the pilot episode: drawn out, overdone and exaggerated.  However, as the show approaches its eighth episode, much of the long character development has been replaced with a quicker-paced story arc format.  Torresani, like the screenwriters, has become more comfortable with her character and the flow of the show.

While diehard fans of Battlestar may worry about the focus of Caprica, the prequel remains true to the world it has created while reaching out to a new audience to make a frakking fun time.